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hyperbaton
‖ hyperbaton Gram. and Rhet. (haɪˈpɜːbətɒn) Also 6 hiper-, -tone. [a. L. hyperbaton, a. Gr. ὑπέρβατον, literally ‘overstepping’, f. ὑπερβαίνειν (ὑπέρ over + βαίνειν to step, walk).] A figure of speech in which the customary or logical order of words or phrases is inverted, esp. for the sake of empha...
Oxford English Dictionary
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Hyperbaton
Donatus, in his work On tropes, includes under hyperbaton five varieties: hysterologia, anastrophe (for which the term hyperbaton is sometimes used loosely In the following, a genitive hyperbaton and an adjectival hyperbaton are interleaved:
magnus omnium incessit timor animis (Caesar Bellum Civile 2.29)
"
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hyperbatic
hyperbatic, a. Gram. and Rhet. (haɪpəˈbætɪk) [ad. Gr. ὑπερβατικός, f. ὑπέρβατον hyperbaton.] Pertaining to or of the nature of hyperbaton; transposed, inverted.1847 in Craig. Hence hyperˈbatically adv., in the way of hyperbaton, by transposition or inversion.
Oxford English Dictionary
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Hysteron proteron
Hysteron proteron is a form of hyperbaton, which describes general rearrangements of the sentence.
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Hiberno-Latin
sometimes called gongorism in English), a style that subjected Spanish to abstruse Latinate neologism, obscure allusions to Classical mythology and violent hyperbaton
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syntaxis
‖ synˈtaxis Pl. syntaxes (-ˈtæksiːz). Also 7 sin-. [late L., a. Gr. σύνταξις, f. συντάσσειν, f. σύν syn-1 + τάσσειν (base τακ-) to arrange. Cf. It. sintassi, Sp. sintaxis, Pg. syntaxe.] † 1. = syntax 2. Obs. In quot. 1632 jocularly used with implication of syntax sense 1. In quot. 1641 = regimen 3.1...
Oxford English Dictionary
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Anastrophe
See also
Hyperbaton
References
Sources
External links
Figures of rhetoric: Anastrophe
https://modernamericanpoetry.org/criticism/lawrence-raab-mending-wall
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sentence ending と for third person narrators > context is about a group of people, trapped in the wilderness for a while. To be able to talk normally, or to to be able hold back anger, due to this unaccustomed sel...
The first one () is probably an example of ("hyperbaton"), the use of reversed word order for a dramatic effect.
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Epiphrase
Identifying it can be difficult as it is like other figures such as the epiphonema, the parenthesis, or the hyperbaton. In this sense, the epiphrase is only a hyperbaton, like the anastrophe or the tmesis.
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trespasser
trespasser (ˈtrɛspəsə(r)) Forms: 4–5 trespasour, 4–6 -passour, -oure, 5 -pasor, -owre, -passor, 5–6 -pacer, 6 -passar, 6– trespasser. [ME. a. AF. trespassour = OF. trespasseor, agent-n. of trespasser to trespass.] One who trespasses. 1. A transgressor, a law-breaker; a wrong-doer, sinner, offender.[...
Oxford English Dictionary
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Synchysis
It is described by the website Silva Rhetoricae as "Hyperbaton or anastrophe taken to an obscuring extreme, either accidentally or purposefully."
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What does the 「をな」mean in this sentence? It is said by a boy who intend to train boxing by himself. > -3" **** I think that the would be 1) Verb but I don't have any idea why it does not include the part to ind...
Saying the verb first is a common rhetoric device in Japanese (known as /hyperbaton). Typical example is:
> Change the world!
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Scrambling (linguistics)
Hyperbaton is found in a number of prose writers, e.g. Much more extreme hyperbaton occurred in poetry, often with criss-crossing constituents.
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What does と mean in 「ここにおいで」と? As far as I know "koko ni oide" means "come here", but what does "to" add to the sentence "koko ni oide to". The context of the phrase is > >
This is a simple quotative-, and this sentence is a typical example of a rhetoric device called (hyperbaton) or (anastrophe).
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Golden line
The golden line is an extreme form of hyperbaton.
There are about ten different definitions of the "golden line". Bede advocated a double hyperbaton, and also the placing of adjectives before nouns.
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