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supertonic
superˈtonic Mus. [super- 5 b.] The note next above the tonic; the second of the scale. Also attrib. applied to a chord having this note for its root.1806 J. W. Callcott Mus. Gram. ii. v. 135 The Supertonic, or second above the Key-note. 1867 Macfarren Harmony (1892) 128 The chromatic raising of the ...
Oxford English Dictionary
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Supertonic
In the movable do solfège system, the supertonic note is sung as re.
The triad built on the supertonic note is called the supertonic chord. One variant of the supertonic seventh chord is the supertonic diminished seventh with the raised supertonic, which equals the lowered third through enharmonic
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Supertonic: Mixes
Supertonic: Mixes is the second remix album by American singer Diana Ross, released on May 29, 2020, by Universal Music and Motown Records.
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Submediant
This chord progression moves from tonic I, to the submediant (vi), to the supertonic ii, to the dominant V7. This reflects a different conception of the diatonic scale and its degrees:
In English as in German, the tonic is flanked on both sides by subtonic / supertonic
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Neapolitan
song
Neapolitan School of music
Neapolitan chord (also known as Neapolitan sixth), the first inversion of a major chord built on the lowered second (supertonic
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Double tonic
See also
Co-tonic
Secondary tonic
Supertonic
Subtonic
Level (music)
References
Chord progressions
Melodic motion
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I7
luxury sedan
Inline-seven engine or straight-seven engine
Interstate 7, a proposed Interstate highway in California
I7, in music tonic, the secondary supertonic
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A-sharp minor
Scale Degree Chords
Tonic - A-sharp minor
Supertonic - B-sharp diminished
Mediant - C-sharp major
Subdominant - D-sharp minor
Dominant - E-sharp
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IIO
Air Force; see Aircrew Badge
Diminished supertonic triad (iio), a borrowed chord
Linux Industrial I/O subsystem
See also
I2O (Intelligent Input/Output
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D-flat minor
Scale Degree Chords
Tonic - D-flat minor
Supertonic - E-flat diminished
Mediant - F-flat major
Subdominant - G-flat minor
Dominant - A-flat minor
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A major
the flattened supertonic) requires both a flat and a natural accidental. Scale Degree Chords
Tonic - A major
Supertonic - B minor
Mediant - C-sharp minor
Subdominant - D major
Dominant - E major
Submediant - F-sharp minor
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Predominant chord
Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German sixth. The most common dominant preparation chords are the supertonic, the subdominant, the V7/V, the Neapolitan chord (N6 or II6), and the augmented sixth chords
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Diminished triad
This triad is consequently called the supertonic diminished triad. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant
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Ii–V–I progression
In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. In minor, a seventh chord built on the supertonic yields a half-diminished seventh chord, which is a very strong predominant chord.
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C-sharp major
Scale Degree Chords
Tonic - C-sharp major
Supertonic - D-sharp minor
Mediant - E-sharp minor
Subdominant - F-sharp major
Dominant - G-sharp major
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