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subtonic
subtonic, a. and n. (sʌbˈtɒnɪk) [In A and B 1 f. sub- 19, in B 2 f. sub- 13.] A. adj. Phonetics. (See quot.)1833 J. Rush Philos. Human Voice (ed. 2) 54 A number of sounds, possessing..properties analogous to those of the tonics; but differing in degree... From their inferiority to the tonics,..whils...
Oxford English Dictionary
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Subtonic
In major keys, the subtonic sometimes appears in borrowed chords. In the movable do solfège system, the subtonic note is sung as te (or ta). Chord
The triad built on the subtonic note is called the subtonic chord.
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Submediant
This reflects a different conception of the diatonic scale and its degrees:
In English as in German, the tonic is flanked on both sides by subtonic / (See the figure in Degree (music)#Major and minor scales);
In French and Italian, a conception with two centres, subtonic (sous-tonique, sotto-tonica)
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Subdominant
Music which modulates (changes key) often modulates to the subdominant when the leading tone is lowered by half step to the subtonic (B to B in the key
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Double tonic
See also
Co-tonic
Secondary tonic
Supertonic
Subtonic
Level (music)
References
Chord progressions
Melodic motion
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Mediant
In harmonic minor scales and ascending melodic minor scales, the seventh scale degree is raised by a half step from the subtonic b7 to the leading tone
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A-sharp minor
A-sharp minor
Supertonic - B-sharp diminished
Mediant - C-sharp major
Subdominant - D-sharp minor
Dominant - E-sharp minor
Submediant - F-sharp major
Subtonic
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Seventh
minor seventh in equal temperament explains the "sweetness" of the dominant seventh chord in a major key
Augmented seventh, an interval
Leading-tone or subtonic
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D-flat minor
minor
Supertonic - E-flat diminished
Mediant - F-flat major
Subdominant - G-flat minor
Dominant - A-flat minor
Submediant - B-double-flat major
Subtonic
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B-flat minor
Tonic - B-flat minor
Supertonic - C diminished
Mediant - D-flat major
Subdominant - E-flat minor
Dominant - F minor
Submediant - G-flat major
Subtonic
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♭VII–V7 cadence
{{DISPLAYTITLE:VII–V7 cadence}}In music, the VII–V7 cadence is a cadence using the chord progression from the subtonic (VII) to the dominant seventh (V7
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Green Party of Ontario candidates in the 1990 Ontario provincial election
Sarazen designed a vehicle called the "Subtonic Cycle" in 1996, and announced plans to ride it through Bosnia as an absurdist art display. The Bosnia shows took place in 1997, and the Subtonic Cycle was later displayed at many events in Ontario.
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Augmented fifth
This was achieved by chromatically raising the seventh degree (or subtonic) to match that of the unstable seventh degree (or leading tone) of the major
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Leading-tone
diatonic scales in which there is a whole tone between the seventh scale degree and the tonic, such as the Mixolydian mode, the seventh degree is called the subtonic According to John Bunyan Herbert, (who uses the term "subtonic", which later came to usually refer to a seventh scale degree pitched a whole tone below
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Andalusian cadence
When using the natural minor, dominant chords exchange their leading tone for a subtonic; as a result, their dominant quality is strongly undermined. The resulting progression is on the edge between tonal and modal, where the subtonic doesn't change back into a leading-tone, but the obtained cadence
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