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spirituel
‖ spirituˈel, -ˈelle, a. [F. spirituel masc., -elle fem.: see spiritual a.] Of a highly refined character or nature, esp. in conjunction with liveliness or quickness of mind. The distinction between the masc. and fem. forms has not always been observed in English.α 1673 Dryden Marr. à la Mode iii. i...
Oxford English Dictionary
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Concert Spirituel
From 1777 the Concert Spirituel was directed by Joseph Legros, its last and most brilliant director. The Concert Spirituel in the Tuileries Palace. Early Music, 21(2), 241–248.
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Le Concert Spirituel
Founded by Hervé Niquet in 1987, it is named after the 18th-century concert series Concert Spirituel. Since June 2015, Le Concert Spirituel has recorded exclusively for Alpha Classics.
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werel
† werel Obs. rare—1. [Of obscure origin: cf. MHG. wedel, wegel.] A fan or fly-whisk.a 1390 Wycliffite Bible, Job Prol. II. 672 For the werelis, lepis, basketis [L. pro flabello, calathis, sportellisque], and litle ȝiftis of munkis, these spirituel..ȝiftis..taketh.
Oxford English Dictionary
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Pierre Leduc
He was presented at the Concert Spirituel in spring 1770 and often appeared thereafter with favorable reviews. Although monopolized by his editorial job, his concertizing activities continued despite everything at the Concert spirituel.
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Symphony No. 31 (Mozart)
The public premiere took place six days later in a performance at the Concert Spirituel. During the years 1782 to 1788, Sieber's catalog described it as "in the repertoire of the Concert Spirituel".
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Hiérodrame
French oratorios were performed at the Concert Spirituel, rather than in church. Histoire du Concert Spirituel 1725-1790. Paris: Heugel et Cie., 1975.
Smither, Howard E.
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Nicolas Capron
From 1765, he became concertmaster at the Concert Spirituel. his students were Marie-Alexandre Guénin and Mlle Deschamps, known as a child prodigy, who at the age of 11 played two violin concertos at the Concert spirituel
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梅斯犹太会堂
Jean Daltroff, « La synagogue consistoriale de Metz : construction, inauguration et rayonnement spirituel (1848-1950) », dans Les Cahiers lorrains, 2,
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Louis-Nicolas Clérambault
: Air spirituel: Vertus – La confiance in G minor
210: Air spirituel: Vertus – La sagesse in E minor
211: Air spirituel: Cantique de Saint Bernard in 234: Air spirituel: Vices – L'oisiveté in A major
235: Air spirituel: Sur les désirs de la mort in C minor
236: Air spirituel: Les IV fins de l'homme
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Hervé Niquet
, Peter Harvey, Le Concert Spirituel and Glossa.
2004: Joseph Bodin de Boismortier's Sonates pour basses, with Le Concert Spirituel and Glossa.
2005: Henri Desmarets' Grands Motets, vol. 2, with Le Concert Spirituel and Glossa.
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夏尔·德·雷米萨
Tableau de la vie monastique et de la lutte du pouvoir spirituel onzième siècle.
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Simon Le Duc
Simon Le Duc, more commonly Leduc (Paris, 15 January 1742 22 January 1777), was a French violinist, soloist at the Concert Spirituel, music publisher He later became director of the Concerts Spirituel, with Gaviniès and François-Joseph Gossec
During the child prodigy Wolfgang Amadeus Mozart's first
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Élisabeth de Haulteterre
She was known as a concert violinist, playing Jean-Marie Leclair's sonatas at the Concert Spirituel in 1737. Her married name was Levésque. Participation in Le Concert Spirituel
Le Concert Spirituel was the most prolific concert giving society in 18th century Paris founded by Anne Danican Philidor
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Joseph-Nicolas-Pancrace Royer
des Scythes (Fièrement)
La chasse de Zaïde (1739)
1746: Ode à la fortune, text by Jean-Baptiste Rousseau, (first performance 25 December 1746, Concert Spirituel )
1751: Venite exultemus, motet (first performance 18 December 1751, Concert Spirituel)
Recordings
Complete Harpsichord Music – Yago Mahugo (harpsichord
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