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overglaze
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overglaze
▪ I. ˈoverglaze, n. Ceramics. [over- 8.] A second glaze applied to a piece of pottery, e.g. when the first glaze has been painted on. Also in Painting.1880 Harper's Mag. Nov. 904/1 The work most familiar to us as taught in America during the last three or four years has all been on the over-glaze. 1...
Oxford English Dictionary
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Overglaze decoration
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied
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Underglaze
This was achieved by the use of an underglaze that contrasts with the overglaze. Unlike overglaze decals, underglaze decals are often applied to greenware and bisque and fired at higher temperatures compared to their overglaze counterparts
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Wucai
It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest The usual distinction made with doucai, which also combines underglaze blue with overglaze enamels in other colours, is that in wucai only parts of the
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on-glaze
on-glaze, a. (n.) Ceramics. [f. on prep. + glaze n.] Of, pertaining to, or designating colour, a pattern, etc., applied on top of a glaze; = overglaze a. Also as n., colour, etc., applied on top of a glaze.1897 Sparkes & Gandy Potters i. 56 The class of enamel colours... The name of overglaze or ong...
Oxford English Dictionary
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Lowestoft Porcelain Factory
Most combined underglaze blue with overglaze enamel decoration, as Chinese porcelain sometimes does. It is also possible that some Chinese "blanks" were given overglaze decoration in Lowestoft.
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Enamel
enamel, a smooth, durable coating for metal, made of melted and fused glass powder
Enamelled glass, glass which has been decorated with vitreous enamel
Overglaze
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Muffle furnace
Muffle kilns
Historically, small muffle ovens were often used for a second firing of porcelain at a relatively low temperature to fix overglaze enamels For historical overglaze enamels the kiln was generally far smaller than that for the main firing, and produced firing temperatures in the approximate
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Doucai
The style was discontinued after a few decades, as a suitable overglaze blue was developed, but later revived under the Qing dynasty. The colours in Chenghua pieces are the underglaze blue, and overglaze red, green, yellow and an aubergine (eggplant) purple-brown.
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Lajvardina-type ceramics
The style was created using overglaze enamel. Ilkhanid overglaze enamels are known as Lajvardina in recognition of the distinct cobalt blue glaze it sports.
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Famille jaune, noire, rose, verte
Occasionally both underglaze and overglaze blue may be seen in the same object. 'enamel colours'), is a type of porcelain defined by the presence of pink colour overglaze enamel.
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In-glaze decoration
These are underglaze painting, where the paint is applied before the glaze, which then seals it, and overglaze decoration where the painting is done in Faience
The very wide range of types of European tin-glazed earthenware or "faience" all began using in-glaze or underglaze painting, with overglaze enamels
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Kakiemon
is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. Kakiemon is a term that generates some confusion, being the name of a family, one or more kilns, and a brightly-coloured overglaze style broadly imitating
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Arita ware
The wares with added overglaze colours were called Imari ware or (a sub-group) Kakiemon. This typically is decorated in underglaze blue, then with red, gold, black for outlines, and sometimes other colours, added in overglaze.
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