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hemistich
hemistich Pros. (ˈhɛmɪstɪk) Also 7 hemistique, -estique, 7–8 hemistick, 8 -estich; 7–8 in L. form hemistichium. [ad. late L. hēmistichium, ad. Gr. ἡµιστίχιον, f. ἡµι- hemi- + στίχος row, line, verse. Cf. F. hémistiche (16th c. in Hatz.-Darm.), hémistique in Cotgr.] The half or section of a line of v...
Oxford English Dictionary
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Hemistich
In Latin and Greek poetry, the hemistich is generally confined to drama. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse.
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Radif
The is the following pattern of words: (in the first hemistich), , (in the fourth hemistich), , and .
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haiku
‖ haiku (ˈhaɪkuː) Also haikai, hokku. [Jap.] A form of Japanese verse, developed in the mid-16th century, usually consisting of 17 syllables and originally of jesting character; an English imitation of one. The hokku was originally the opening hemistich of a linked series of haiku poems, but is now ...
Oxford English Dictionary
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Mukhammas
Details of the form
The mukhammas represents a stanza of two distichs and a hemistich in monorhyme, the fifth line being the "bob" or burden: each succeeding
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renga
renga (ˈrɛŋgə) Also renge, renka. [Jap., = linked (verse).] A form of Japanese verse established by the 15th century and consisting of a series of half-tanka, contributed by different poets in turn. See also note s.v. haiku.1877 W. G. Aston Gram. Jap. Written Lang. (ed. 2) x. 198 Renka..is where one...
Oxford English Dictionary
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Syllabic verse
Hemistich length: All but the shortest lines are divided into part-lines (hemistichs); each hemistich also contains a specific number of syllables, and Hemistich markers: The ends of the hemistichs are marked and contrasted by an obligatory stress: a specific syllable position near the end of each hemistich
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Tawil
Variations
The Encyclopaedia of Islam records three sub-types of ṭawīl hemistich, of which the second is the most common:
| ᴗ – x | ᴗ – – – | ᴗ – x , the last foot of the first hemistich has the same pattern as the last foot of the second, to enable the rhyme.
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Janani Janmabhumishcha Swargadapi Gariyasi
"Janani Janmabhūmishcha Swargādapi Garīyasī" (; , , ) is a hemistich of a Sanskrit shloka from the Hindu epic Ramayana, and the national motto of Government
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Al-Rabi ibn Abu al-Huqayq
He had a contest at capping verses with the famous Arabic poet, al-Nabighah, the latter reciting one hemistich, while Al-Rabi had to supply the next, keeping
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Arabic prosody
The above meters are given in their tetrameter form, but some (such as the madīd) are generally found with only three feet per hemistich. At the end of a line (and sometimes at the end of the first hemistich), any vowel is considered long. in this position a short -i can rhyme with a long
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Ataaba
The end of a verse or quatrain in an ataaba is marked by adding a word ending in "-ba" to the end of the fourth hemistich.
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Aliagha Vahid Monument
The originality of the monument's form and shape is based on the famous hemistich of the poet nicknamed “Ghazalkhan (Khan of the ghazals) "I am the successor And the solution of the monument as a large tree-portrait was realized to give the hemistich a comprehensive artistic appearance.
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Khalil al-Muradi
A sequence of twenty-nine mostly two-line maqāṭīʿ poems ending in the hemistich 'sweeter even than the juice of myrtle berries', which al-Murādī included
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Träd fram du nattens gud
Each stanza is of five lines, consisting of two alexandrines, a hemistich (half-length line), an alexandrine, and a final hemistich; the rhyming scheme
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