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bitonality
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bitonality
bitonality Mus. (baɪtəʊˈnælɪtɪ) [f. bi-2 + tonality.] The simultaneous use of two keys in a musical composition. So biˈtonal a., characterized by bitonality.1927 A. E. Hull Mus. Class. Romantic & Mod. xvii. 317 Atonality, Bi-tonality and Polytonality are the technical catch-words of the day... Bi-to...
Oxford English Dictionary
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Pantonality
refer to:
Twelve-tone music, seen as an extension of tonality to all keys (rather than to no key)
Nonfunctional tonality or pandiatonicism
See also
Bitonality
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Bimodality
It is more general than bitonality since the "scales" involved need not be traditional scales; if diatonic collections are involved, their pitch centers
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impressionist
impressionist, n. (a.) (ɪmˈprɛʃənɪst) [ad. F. impressioniste: see impression and -ist.] 1. a. A painter who endeavours to express the general impression produced by a scene or object, to the exclusion of minute details or elaborate finish; also, a writer who practises a similar method; hence an impr...
Oxford English Dictionary
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Polytonality
Bitonality is the use of only two different keys at the same time. Some examples of bitonality superimpose fully harmonized sections of music in different keys.
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Polychord
The use of polychords may suggest bitonality or polytonality. Harmonic parallelism may suggest bichords.
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Rudolf Brucci
Brucci's style is basically conventional, but he attempted to incorporate new ideas, such as bitonality, polytonality, and atonality.
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List of polytonal pieces
List of pieces using polytonality and/or bitonality. The Alcotts, presence of bitonality (right hand in B major and left hand in A major)
Captain Beefheart
Frownland, from Trout Mask Replica (1969)
Hair Pie
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Feu d'artifice
The work has some hints of bitonality but is for the most part similar in style to that of Rimsky-Korsakov who, at the time, was his teacher and mentor
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Sāvitri (opera)
John Warrack has commented on Holst's use of bitonality at the opening of the opera, representing the distinct yet subtly connected realms of Sāvitri and "Holst's Savitri and Bitonality." The Music Review, vol. 28, pp. 323–328.
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Hans Neusidler
A somewhat infamous piece is Der Juden Tanz, often cited as an example of bitonality "not lacking a touch of satire".
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Double Concerto (Holst)
It is characterized by fugal counterpoint, folk-like melody, and bitonality without dissonance. In these fast-changing passages there are displays of cross-rhythm and bitonality in 5/4 and 7/4 time.
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Variations on "America"
and Theme
Variation I
Variation II
Interlude I
Variation III
Variation IV
Interlude II
Variation V
Coda
The interludes are Ives's first notated use of bitonality
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Piano-Rag-Music
Stravinsky incorporates elements from his Russian period (ostinati, shifting accents, bitonality) with rhythmic and harmonic fragments from ragtime.
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Flos Campi
The opening bars of the piece, which consist of a duet between the solo viola and the oboe, are well known as a classic example of bitonality.
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