they vote again in the middle of Japan burn on the middle Yokohama and thought house today because I just wanted to do okay let's find a go and take some pictures more things there anyway I'm gonna be shooting today with iPhone yep it's a great little camera very underrated but the one aspect or the one feature that I'm going to be shooting today panorama mode probably about a 20 minute train ride into your hand so let's go we're gonna miss that one that there's a train forget the hammer so if we hurry up we might be able to make it but I doubt it I'm not gonna run i running for well we missed it that's what I should be loving that five minutes every to get that one you know this is Sakura vicho which is just outside of Miami come here for a good reason the skyline show oh this is middle of the night choose your work it says probably that a five moving stop outside of Yokohama there is a peer son of Oishi here I think that's called and we're going to go to that place and the aim of today is I just want to show people what I believe to be the correct way to take panoramic shots there life on the modern cameras in the iPhones are awesome you can get great results but if you capture the image one at the outset it just makes life a bit harder so just go ahead a bit a phone gonna shoot with an iPhone do a bit of iPhoneography and share it with you guys so let's get on check this out I think he's going to come close enough for us to have a good look at it but whatever was a professionalism he's obviously done that before okay let's go check this out okay now the key point to this the key factor with with shooting the panorama is stability and not just stability but the level everything has to be absolutely spot-on with regards to having a level base as it were and so well the position of the tripod head is obviously very important I would say the most absolute importance is with regards to the base the general base of your tripod and here you can see now I've just set the tripod so the base of my tripod is awesomely level one way of making sure that your your absolutely level is to have one of these little spirit level say and you'll see that it's just normally its fitted so that you can just put it on to the hot shoe of a camera and what I do is I will put that here on my tripod on the head and if it isn't level all I do then is I'll just yeah manipulate there the head of the tripod until it is exactly how I want it tighten that up just make sure on top as well it's centrally level okay and tighten things not quite as you type but just tight enough so you know it's going to be stable to hold the iPhone okay now the goal of any kind of like the theory behind the panorama is that what you need to do is not when you take your photograph your panoramic feature photograph or mode photograph with an iPhone is not to hold the the phone as far as you can arm's length okay and spin around squealing and saying how wonderful it all is what you need to try and do is to try and pivot as as close to possible the camera on the same plane as the sensor which means that you need to try and pivot if you can on a needle point okay it pivots around that area and the best thing that you can use obviously there's a tripod now the iPhone needs to be supported in a way that the sensor sits across the middle of the axis the vertical axis of the tripod the bracket it's a homemade bracket and it's three or four component parts one part is the holding bracket for a selfie stick okay another is a just an L bracket you can get from most decent camera stores and then the third part obviously is the adapter plate I've got for my tripod okay I'll put all those together and what I'm going to do with the selfie bit is I attach that so it's perpendicular right to the bracket okay and then I'll in touch that to my tripod which I've just leveled what is absolutely vital is that the tripod itself is exactly on level ground as well so make sure beforehand that you set your tripod with with the spirit level just to make sure not just the head not just this part here but the whole tripod itself because what you'll find is if your head is is the only thing that's level but your tripod isn't as you swivel around your level the level of your head is going to become off he's going to be thrown off okay so make sure above all that the platform your your tripod platform itself is as level as level can be okay and what I've done now is I've set this one this level and what you can see if I then swirl that around you say it doesn't matter where I go my level at all times stays spot-on okay there we go okay so we're almost good to go almost okay so all I have to do now is just get there put the iPhone in finally put it into place okay and we just just get to the screen okay we just slide it in trying to be as gentle as possible get into position try and make sure this as vertical as possible okay let's go camera pan oh okay I'm gonna start not so extreme let's start about here this time so let's start the pan oh and off we go again a nice constant speed on that rotation you can lean across and see I had a boat more of the boat is into it that's cool let's see how that one came out oh yeah I mean it is talking about extreme that's just because I wanted to get the boat in let's do something that isn't so extreme and just do this kind of area here okay something that may be a bit more pleasing to the sky because that is just sick okay well earlier on I know that I mentioned I was going to do something that's just a little bit crazy and what I've got here I don't know if ever you if people have ever heard of it this is a an auxilary lens that can be used with the iPhone iPhone 6s plus it is the 1.33 x anamorphic lens and it's made by a company called moon dog labs you can see it written on the side there moon dog labs did not sponsor me for this it's just a lens that I've had for a while I've used it for some of my other filming exploits with with an iPhone and it's just something that I want to try with regards to seeing if it works for panoramic photography it fits on this is the anamorphic lens here it's got a little release lever here okay you open that you slide their lens over the camera lens that little locking mechanism there that just locks down and there you have your lens setup good to go so let's see if this works go across the fan out get to the start point there we go and then we just retain maintain that speed have a nice uniform speed all the way through this pan and I even get the cameras yes I've even got you in there awesome there's just always so much stuff together this lot packed up and left we go zoom in to portion never leave home without it most important piecing here funky spunky it's portable power unit this is what I use for all of my charging and stuff it's awesome piece of gear connects with USB don't leave home without it all good best to be prepared and for the most part you'll be surprised but this is what I film it's a little Canon EOS m - awesome awesome awesome results love it simple as pie to use and just gives a great little 1080p picture not bad for a couple hundred bucks there's my head hey guys one last thing I just wanted to quickly go through using Photoshop about the images that we shot with the moon dog labs anamorphic lens obviously there's another step I need to go through in order to get the most benefit from using that things and that is a D squeezing it to see the full resolution and the best way that I can explain that is by using Photoshop so come on in here we are in Photoshop and this is not exactly from the screen what you'll notice is compared to the image that I showed on the on the film you've got this big shadow here which I removed you've got this these shadows here which have also been removed and I've cropped out just a little bit on this side to get rid of this other tripod here it just wasn't in the mood to keep on cloning everything um but yeah - extension purposes this is the shot in the raw sense from the iPhone okay now I've transferred this and opened it as a tiff file because I wanted to be as uncompressed as as possible I didn't want to compress it already with JPEG compression before I start editing I'll present it finally as a JPEG at the end but let's go have a look at the characteristics especially this size okay image size okay there you're going to see look at this is still wiping a whopping sixteen thousand three hundred and sixty-eight pictures by three thousand eight hundred and seventy okay is ways in a 100 and 100 maybe 1.2 megabytes that's huge okay and this is only 72 dpi right now we were using an anamorphic lens which normally you use in the horizontal plane when you're filming you know in your standard orientation for video and so what you do in order to get that super long stretched real estate is you multiply the horizontal plane of the image by the anamorphic character stick of delenn's which in this case is 1.33 okay now when you want to do that and you want to adjust just one of the axes one of one of the resolutions of the image where the vertical or horizontal in Photoshop you need to deconstruct if you D constrain that means that you can then manipulate either one of these two without the other corresponding resolution changing to suit that proportion okay now in this case because I was shooting with the camera in the vertical I'm not worried about the the width of the image okay I'm not worried about the width resolution I'm more concerned about the height okay which at the moment is showing 3870 pixels okay what I need to do is I need to adjust that I need to resize that you'll reconfirm that to suit the anamorphic capacity or the anamorphic character if as it were of the lens used okay all we do is we take this height resolution here three eight seven zero put that into our calculator and we multiply that by the characteristic of the lens which was one point three three times okay and that gives us a new vertical resolution of five one four seven point one I'm not going to worry about the point one okay and so what we do then we put that in here five one five one four seven okay boom then if we have a look at some of the detail on this that you can see here it's only at 12.5% we can zoom in these iPhone cameras they they hold up pretty good you know this is 100% I mean it's not perfect it's not spectacular on it but it is not bad in my very humble and honest opinion yeah there's a lot okay so we just scroll that way so yeah there you go that is panorama photography with an iPhone okay and you can see now image this have a look at the characteristics there we go we didn't change the the width of the image because that was the scope of our pan on the panoramic and all we done is we adjusted the height to fit the characteristic of the anamorphic lens and you can also see both booster dose of 241 mega for them for the imager so that's that's pretty wild okay I'm not going to go into the editing just now this isn't an editing tutorial but I did take out a few aspects I put in a lens flare and I cooked a little bit off the off this end okay but at the end of the day when all was said and done this is what they came up with and here you can see everything Oh lovely jubbly Oh hunky-dory there you go guys another video done hopefully I'm gonna have another video I'm working on it at the moment it is about ok bokeh is the knife soft background and out-of-focus effects that you get when you shoot shallow depth of field but technique works well with macro lens and seeing as I dropped my nice big wide lens I'm going to be shooting with a tamarind 90 for the next video any comments put them below don't forget subscribe may have some good news coming soon I've got a big meeting with some people here in Japan on Monday so I will keep you posted on that it is video related so fingers crossed ok guys see you soon take care have a great day get you either you