In Book III there is a passage somewhat like yours:
> The subjects of poetry have been sufficiently treated; next follows style. Now all poetry is a narrative of events past, present, or to come; and narrative is of three kinds, the simple, the imitative, and a composition of the two. ... Poets and musicians use either, or a compound of both, and this compound is very attractive to youth and their teachers as well as to the vulgar. But our State in which one man plays one part only is not adapted for complexity. And when one of these polyphonous pantomimic gentlemen offers to exhibit himself and his poetry we will show him every observance of respect, but at the same time tell him that there is no room for his kind in our State; we prefer the rough, honest poet, and will not depart from our original models.
But the contrast is not between abstract and useful knowledge, but between elaborate and simple literary styles.