hey what's up you guys Marty Schwartz here with Marty music thanks for hanging out with me for another lesson and supporting Marty music right here thank you we're gonna break down this Dave Matthews a classic tune it's really fun to play so let's get right to it alright first we're gonna take a D chord and then we're gonna play this G chord where it's the pinky and ring finger down and it starts with this then we add a little Dave Matthews a little magic to it and it starts with the middle finger on the fourth of the a string slid to the fifth index grabs fourth of the D string and you do that move twice and then the open D as you transition to the G chord so watch again and then you got the G and after the G it doesn't move where your index now is on the fourth and you hammer it up to the fifth and then with that middle finger you grab the fifth of the D string and you do that twice and then it slides up to the seventh fret back to the D middle finger so then there's also this kind of sense of percussion going on and so it's like that you know you're just a little bit a bit of that and so that's the first feeling but then you can go you know kind of like a Nirvana but when you're playing the riff the percussion isn't there so it's kind of in-between the chord a little percussion and the riff see that so then it goes to a B minor chord but it looked like Dave Matthews is mostly just playing the power chord like that if you're playing it like solo acoustic a no B minor is gonna work or you can play the B power chord which is just the top three strings right so 2a d the Naji and then that b-minor to a and when it goes by fast like that especially since it's more power Cordy I'll just play that a chord with the index finger like that so here's that section b-minor one more time so let's see here the very first time it goes to this new section it just doesn't one time it just goes now check it out so the D major scale is what this little run is and so the notes are 2 4 5 2 4 then 2 & 3 and so it's a pattern with that group of notes that I explained so two four five and then four five two on the G then five on the D up to the four on the G so and then two for two on the B and then for on the GE and then you could set it the last note you play D chord okay so there's another section oh the little ants gene so that's a G and then a walk down which in the traditional guitar chords it would be like a G chord and then that D chord with the thumb over the second fret that bass note and then e minor and I'm gonna show you a couple little Dave Matthews voicings there but the gist of it is over F sharp E minor and the same thing again very traditional there and then during the fiddle jam it does that and then goes into another set of chords but anyway the Dave Matthews voicings he does a lot of these John Frusciante does them as well actually but not on acoustics it it's like these are no fifth chords chords with a no fifth interval in them it sounds like this a lot you know or it'll add the third in there as well so on this thing you can you can play this so for the G chord you can play this which is middle finger on that root pinkies on the 4th of the G which is the third of the G major chord that same third can be right here on the second so you play it like this you can use your ring finger I like pinky like that then you can just grab that note so so just kind of keeps peddling back to that note so [Applause] [Applause] that kind of that kind of thing so it's just another option there now when it goes into the solo the fiddle jam at the end it's that lick you know D to G's D to G's DG's and then when the band kicks and it goes to that G walk down to E minor things so he's jamming that and so that's just a minor with the pinkie on the fourth of the G there I mean it could just be sounds you know it sounds pretty much the same but I think Dave's doing it like this plus it gives them a little spice now does something new [Applause] which is a minor G it's a minor 7 G and then the D over F sharp but he just plays him in with these spread voicings or the no 3rd actually no he does have the third I like doing it this way where it's just the index on the root and the fifth fret on the G and then everything else is getting muted because then when I go to this one for the G it's the third and fourth frets and then 2 & 2 that's just cool he does that on acoustic quite a bit those kinds of voicings so from the jam hey it's Benny Hill okay where was I so Dan kicks in and it's this G walk down [Applause] energy [Applause] now from there it just does the part of the song that we already know the minor dude [Applause] [Applause] [Applause] [Applause] [Applause] alright there was thanks again you guys really appreciate the support signing newsletter at Marty music calm also is greatly appreciated subscribing sharing leaving comments thank you so much and I hope to see you again real soon so see you later